Para usar esta imagem numa página da Wikipédia inserir: [[Imagem:George Albert Smith (1864-1959) (7996002281)-crop.jpg|thumb|180px|Legenda]]
Descrição do ficheiro
DescriçãoGeorge Albert Smith (1864-1959) (7996002281)-crop.jpg
English: Image from the National Media Museum Collection. It took place in Smith's office at Furze Hill, Hove (1900). On the desk, a film meseasurer. On the tripod, Smith's camera. Smith is credited with the first close-up, the division of a scene up into different shots (editing), and the POV shots. After the death of Edward Turner, Charles Urban turned to George Albert Smith to continue research on the project. A former stage hypnotist, Smith was one of the most important pioneers of British cinema. He began making films in 1897, establishing a ‘film factory’ in Hove. Smith’s films were distributed by the Warwick Trading Company and he also printed their films. Smith was critical of Turner’s projector, which he could not get to register the images. He abandoned work on the process in 1904 and turned instead to develop a two-colour process which he patented in 1906. This was launched with Urban in 1908 as Kinemacolor, the first commercially successful colour moving picture process. This would have been the end of the story had the roles of film not been rediscovered at the National Media Museum.
This UK artistic or literary work, of which the author is unknown and cannot be ascertained by reasonable enquiry, is in the public domain because it is one of the following:
A photograph, which has never previously been made available to the public (e.g. by publication or display at an exhibition) and which was taken more than 70 years ago (before 1 January 1954); or
A photograph, which was made available to the public (e.g. by publication or display at an exhibition) more than 70 years ago (before 1 January 1954); or
An artistic work other than a photograph (e.g. a painting), or a literary work, which was made available to the public (e.g. by publication or display at an exhibition) more than 70 years ago (before 1 January 1954).
This tag can be used only when the author cannot be ascertained by reasonable enquiry. If you wish to rely on it, please specify in the image description the research you have carried out to find who the author was. The above is all subject to any overriding publication right which may exist. In practice, publication right will often override the first of the bullet points listed.
Unpublished anonymous paintings remain in copyright until at least 1 January 2040. This tag does not apply to engravings or musical works. More information
Esta imagem foi extraída do projeto The Commons no Flickr. A organização que a carregou pode ter várias razões para determinar que não existem restrições conhecidas devidas a direitos de autor, tais como:
A obra está no domínio público porque o direito de autor expirou.
A obra caiu no domínio público por outras razões, como falha de cumprimento de formalidades e condições necessárias.
A instituição detém o direito de autor mas não está interessada em exercer o seu controlo.
A instituição tem direitos legais suficientes para autorizar que outros usem a obra sem restrições.
Se lhe for possível apurar informações mais específicas sobre o estado do direito de autor, acrescente marcações de direito de autor a esta imagem, por favor. Para mais informações, consulte Commons:Licenciamento.
No known copyright restrictionsNo restrictionshttps://www.flickr.com/commons/usage/false
Esta imagem, colocada originalmente no Flickr, foi revista em 20 de maio de 2013 pelo administrador ou revisorFile Upload Bot (Magnus Manske), que confirmou que ela estava disponível no Flickr naquela data com a licença declarada.
Legendas
Adicione uma explicação de uma linha do que este ficheiro representa
{{Information |Description ={{en|1=Image from the National Media Museum Collection. After the death of Edward Turner, Charles Urban turned to George Albert Smith to continue research on the project. A former stage hypnotist, Smith was one of the mos...
Este ficheiro contém informação adicional, provavelmente adicionada a partir da câmara digital ou scanner utilizada para criar ou digitalizar a imagem. Caso o ficheiro tenha sido modificado a partir do seu estado original, alguns detalhes poderão não refletir completamente as mudanças efetuadas.