Name
|
Yeares
|
Nationality
|
Notable works
|
Remarks
|
Vincent d'Indy |
1851–1931 |
French |
Symphony on a French Mountain Air; Ishtar |
|
Charles Villiers Stanford |
1852–1924 |
Irish |
7 symphonies |
Romanticism
|
Ciprian Porumbescu |
1853–1883 |
Romanian |
Balada for violin, "Serenada" |
|
Moritz Moszkowski |
1854–1925 |
German-Polish-Jewish |
Many groups of short piano pieces |
|
Leoš Janáček |
1854–1928 |
Czech |
Sinfonietta; Taras Bulba; operas; 2 string quartets |
folk-influenced
|
Christian Sinding |
1856–1941 |
Norwegian |
The Rustle of Spring |
Romanticism
|
Edward Elgar |
1857–1934 |
British |
Symphony No. 1 and No. 2; Violin Concerto; Cello Concerto; The Dream of Gerontius (oratorio); Enigma Variations; Pomp and Circumstance Marches |
Romanticism
|
Cécile Chaminade |
1857–1944 |
French |
Concertino for FLUTE |
|
Giacomo Puccini |
1858–1924 |
Italian |
La bohème (opera); Tosca (opera); Madama Butterfly (opera) |
Romanticism
|
Mikhail Ippolitov-Ivanov |
1859–1935 |
Russian |
Caucasian Sketches |
|
Isaac Albéniz |
1860–1909 |
Spanish |
Suite española |
Romanticism
|
Gustav Mahler |
1860–1911 |
Austrian |
Symphony No. 1, No. 5, No. 6, and No. 9; Das Lied von der Erde; Kindertotenlieder |
Romanticism
|
Ignacy Jan Paderewski |
1860–1941 |
Polish |
Piano works (He was also a noted concert pianist) |
Also Prime Minister of Poland (1919)
|
Gustave Charpentier |
1860–1956 |
French |
Louise (opera) |
|
Claude Debussy |
1862–1918 |
French |
Clair de lune; Syrinx; La Mer; Prelude to the Afternoon of a Faun; Préludes |
Impressionism
|
Frederick Delius |
1862–1934 |
British |
The Walk to the Paradise Garden from A Village Romeo and Juliet (opera); On Hearing the First Cuckoo in Spring |
Impressionism
|
Pietro Mascagni |
1863–1945 |
Italian |
Cavalleria rusticana (opera) |
Romanticism
|
Eugen d'Albert |
1864–1932 |
Russian |
Tiefland (opera) |
Romanticism
|
Richard Strauss |
1864–1949 |
German |
Alpine Symphony; Also sprach Zarathustra; Till Eulenspiegel; Der Rosenkavalier (opera); Oboe Concerto, Salome (opera); Ein Heldenleben |
Romanticism
|
Guy Ropartz |
1864–1955 |
French |
|
Impressionism
|
Alexander Gretchaninov |
1864–1956 |
Russian |
5 symphonies; Passion Week |
Romanticism, later Neo-classicism
|
Albéric Magnard |
1865–1914 |
French |
Guercoeur (opera), 4 Symphonies, String Quartet |
Called the "French Bruckner"
|
Eduardo di Capua |
1865–1917 |
Italian |
|
|
Carl Nielsen |
1865–1931 |
Danish |
Symphony No. 2, No. 4, and No. 5; Masquerade (opera); Clarinet Concerto Flute Concerto |
father of Danish classical music
|
Paul Dukas |
1865–1935 |
French |
The Sorcerer's Apprentice; La Péri (ballet) |
|
Alexander Glazunov |
1865–1936 |
Russian |
Symphony No. 4 and No. 5; The Seasons; Violin Concerto; Saxophone Concerto |
Romanticism
|
Jean Sibelius |
1865–1957 |
Finnish |
Symphony No. 1, No. 2, No. 5, and No. 7; Violin Concerto; The Swan of Tuonela; Finlandia |
father of Finnish classical music
|
Ferruccio Busoni |
1866–1924 |
Italian |
Fantasia Contrappuntistica; Turandot Suite; Piano Concerto |
|
Erik Satie |
1866–1925 |
French |
Gymnopédies; Gnossiennes; Vexations; other piano music |
Minimalism, avant-garde
|
Enrique Granados |
1867–1916 |
Spanish |
|
|
Wilhelm Peterson-Berger |
1867–1942 |
Swedish |
5 symphonies; Frösöblomster |
Romantic nationalism
|
Amy Beach |
1867–1944 |
American |
|
|
Umberto Giordano |
1867–1948 |
Italian |
Andrea Chénier (opera) |
Verismo
|
Charles Koechlin |
1867–1950 |
French |
|
|
Oskar Merikanto |
1868–1924 |
Finnish |
|
|
José Vianna da Motta |
1868–1948 |
Portuguese |
|
|
Albert Roussel |
1869–1937 |
French |
Symphony No. 3 and No. 4; Bacchus et Ariane (ballet) |
Neo-classicism
|
Hans Pfitzner |
1869–1949 |
German |
Palestrina (opera) |
|
Louis Vierne |
1870–1937 |
French |
|
Organist at Notre Dame Cathederal.
|
Leopold Godowsky |
1870–1938 |
Polish |
|
|
Charles Tournemire |
1870–1939 |
French |
8 symphonies, organ music |
|
Franz Lehár |
1870–1948 |
Hungarian |
operettas |
|
Vítězslav Novák |
1870–1949 |
Czech |
|
|
Florent Schmitt |
1870–1958 |
French |
|
|
Alfred Hill |
1870–1960 |
Australian |
|
|
Wilhelm Stenhammar |
1871–1927 |
Swedish |
Symphony #2; 6 String Quartets; piano music |
Romanticism
|
Alexander von Zemlinsky |
1871–1942 |
Austrian |
Lyric Symphony and other orchestral works; operas |
Romanticism; mentor of Arnold Schoenberg; also conductor
|
Alexander Scriabin |
1872–1915 |
Russian |
The Poem of Ecstasy; Prometheus: The Poem of Fire; 10 piano sonatas |
Mysticism
|
Ralph Vaughan Williams |
1872–1958 |
British |
A Sea Symphony; A London Symphony; Sinfonia Antartica; Fantasia on a Theme of Thomas Tallis; Fantasia on Greensleeves |
folk-influenced
|
Hugo Alfvén |
1872–1960 |
Swedish |
Symphony No. 4: From the Outermost Skerries; Midsummer Vigil |
Romanticism
|
Max Reger |
1873–1916 |
German |
organ music |
Romanticism
|
Sergei Rachmaninoff |
1873–1943 |
Russian |
Piano Concerto No. 2 and No. 3; Rhapsody on a Theme of Paganini; Symphony No. 2; Prelude in C-sharp minor |
Romanticism; also a formidable pianist
|
Nikolai Tcherepnin |
1873–1945 |
Russian |
|
father of Alexander Tcherepnin
|
Joseph Jongen |
1873–1953 |
Belgian |
Symphonie Concertante for organ and orchestra |
|
Jean Roger-Ducasse |
1873–1954 |
French |
|
|
Gustav Holst |
1874–1934 |
British |
The Planets; Beni Mora; Egdon Heath |
|
Josef Suk |
1874–1935 |
Czech |
Asrael Symphony; A Winter's Tale |
|
Franz Schmidt |
1874–1939 |
Austrian |
The Book with Seven Seals (oratorio); 4 Symphonies |
|
Arnold Schoenberg |
1874–1951 |
Austrian |
Gurre-Lieder; Verklärte Nacht; Variations for Orchestra; Pierrot Lunaire; Five Pieces for Orchestra |
Romanticism, later Expressionism and Serialism; founder of the Second Viennese School
|
Charles Ives |
1874–1954 |
American |
The Unanswered Question; Central Park in the Dark; Variations on America; Three Places in New England; Concord Sonata |
Avant-garde, folk-influenced
|
Erkki Melartin |
1875–1937 |
Finnish |
|
|
Maurice Ravel |
1875–1937 |
French |
Daphnis et Chloé; Valses nobles et sentimentales; Rapsodie espagnole; Tzigane; Piano Concerto; Bolero; piano music |
Impressionism, Neo-classicism
|
Reinhold Glière |
1875–1956 |
Russian |
Symphony No. 3: Ilya Muromets |
Romanticism
|
Albert Ketèlbey |
1875–1959 |
British |
In a Persian Market |
|
Julián Carrillo |
1875–1965 |
Mexican |
13th sound |
Microtonal music
|
Mieczysław Karłowicz |
1876–1909 |
Polish |
Stanislaw i Anna Oswiecimovie, op. 12; Lithuanian Rhapsody, op.11; Symphony in E Minor, op. 7; Serenade for Strings, op. 2, in C Major; Violin Concerto, op. 8, in A Major |
Romanticism
|
Manuel de Falla |
1876–1946 |
Spanish |
The Three-Cornered Hat; Nights in the Gardens of Spain |
Impressionism, Neo-classicism
|
Ermanno Wolf-Ferrari |
1876–1948 |
Italian |
Several comic operas |
|
Carl Ruggles |
1876–1971 |
American |
Sun-Treader |
Also successful painter
|
Havergal Brian |
1876–1972 |
British |
more than 30 symphonies, including the Gothic Symphony |
|
Sigfrid Karg-Elert |
1877–1933 |
German |
|
organ and harmonium works
|
Ernő Dohnányi |
1877–1960 |
Hungarian |
Variations on a Nursery Tune |
Romanticism
|
Franz Schreker |
1878–1934 |
Austrian |
Several operas |
|
Joseph Holbrooke |
1878–1958 |
British |
|
|
Jean Cras |
1879–1932 |
French |
|
|
Ottorino Respighi |
1879–1936 |
Italian |
The Fountains of Rome; The Pines of Rome |
Impressionism, Neo-Baroque
|
Frank Bridge |
1879–1941 |
British |
Enter Spring; The Sea |
Impressionism, later Expressionism; mentor of Benjamin Britten
|
Hamilton Harty |
1879–1941 |
Irish |
An Irish Symphony; With the Wild Geese |
|
Joseph Canteloube |
1879–1957 |
French |
Chants d'Auvergne |
|
John Ireland |
1879–1962 |
British |
Piano Concerto in E flat |
|
Cyril Scott |
1879–1970 |
British |
4 Symphonies; much piano music |
Also writer of prose and poetry
|
Nikolay Medtner |
1880–1951 |
Russian |
3 piano concertos |
Romanticism
|
Ernest Bloch |
1880–1959 |
Swiss |
Schelomo; Suite hébraïque |
|
Ildebrando Pizzetti |
1880–1968 |
Italian |
Assassinio nella cattedrale and other operas; orchestral and chamber music |
|
Jan van Gilse |
1881–1944 |
Dutch |
Thijl, 5 symphonies |
|
Mykola Roslavets |
1881–1944 |
Russian |
|
|
Béla Bartók |
1881–1945 |
Hungarian |
Concerto for Orchestra; The Miraculous Mandarin; Piano Concerto No. 3; Viola Concerto; Music for Strings, Percussion and Celesta; Sonata for Two Pianos and Percussion |
Neo-classicism, folk-influenced
|
Nikolay Myaskovsky |
1881–1950 |
Russian |
27 symphonies |
Romanticism; father of the Russian symphony
|
George Enescu |
1881–1955 |
Romanian |
Romanian Rhapsody No. 1, Sonata no. 3 for Violin and Piano ("In the Romanian Popular Style"), Oedip ,Cantabile et Presto pour flauto et piano,Opera OEDIP, |
folk-influenced; father of Romanian classical music
|
Karol Szymanowski |
1882–1937 |
Polish |
Symphony No. 3 and No. 4; Violin Concerto No. 1 and No. 2 |
Impressionism, later folk-influenced
|
Manuel Maria Ponce |
1882–1948 |
Mexican |
Concierto del sur for guitar and orchestra, guitar and piano pieces, songs (especially "Estrellita"), and folk-song arrangements |
|
Joaquin Turina |
1882–1949 |
Spanish |
|
|
Percy Grainger |
1882–1961 |
Australian |
Country Gardens, Irish Tune from County Derry, Lincolnshire Posy |
folksong-influenced, mostly piano solo & wind band
|
Zoltán Kodály |
1882–1967 |
Hungarian |
Háry János; Dances of Galanta |
folk-influenced
|
Geoffrey O'Hara |
1882–1967 |
Canadian |
|
|
Igor Stravinsky |
1882–1971 |
Russian |
The Rite of Spring; The Firebird; Petrushka; Pulcinella; The Soldier's Tale; Symphony of Psalms; Symphonies of Wind Instruments |
Neo-classicism, Neo-Baroque, later Serialism
|
Gian Francesco Malipiero |
1882–1973 |
Italian |
11 symphonies |
|
Anton Webern |
1883–1945 |
Austrian |
Symphony; Passacaglia; Six Pieces for Orchestra |
Serialism; pupil of Arnold Schoenberg
|
Alfredo Casella |
1883–1947 |
Italian |
|
|
Arnold Bax |
1883–1953 |
British |
Symphony No. 2, No. 3, and No. 6; Tintagel |
Romanticism, Impressionism
|
Manolis Kalomiris |
1883–1962 |
Greek |
|
|
George Dyson |
1883–1964 |
British |
Symphony in G major; sacred choral works |
|
Edgard Varèse |
1883–1965 |
French |
Amériques; Ionisation; Arcana; Density 21.5 |
Musique concrète, Electronic music
|
Charles Griffes |
1884–1920 |
American |
White Peacock, The Pleasure Dome of Kubla Khan |
impressionism
|
Ture Rangström |
1884–1947 |
Swedish |
4 symphonies; 3 operas |
|
Louis Gruenberg |
1884–1964 |
Russian |
Violin Concerto; 5 symphonies; The Emperor Jones (opera) |
|
George Butterworth |
1885–1916 |
British |
|
|
Alban Berg |
1885–1935 |
Austrian |
Violin Concerto; Wozzeck; Lyric Suite |
Serialism, Romanticism; pupil of Arnold Schoenberg
|
Wallingford Riegger |
1885–1961 |
American |
Symphony #3 |
|
Egon Wellesz |
1885–1974 |
Austrian |
9 symphonies |
|
Joseph Achron |
1886–1943 |
Russian |
"Hebrew Melody" |
|
Othmar Schoeck |
1886–1957 |
Swiss |
Penthesilea and other operas and vocal music |
|
Jesús Guridi |
1886–1961 |
Spanish |
Sinfonia pirenaica |
|
Marcel Dupré |
1886–1971 |
French |
organ music |
|
Paul Paray |
1886–1979 |
French |
Mass for the 500th Anniversary of the Death of Joan of Arc |
Also noted conductor
|
Leevi Madetoja |
1887–1947 |
Finnish |
|
|
Heitor Villa-Lobos |
1887–1959 |
Brazilian |
Bachianas brasileiras; guitar music |
Neo-classicism, folk-influenced
|
Ernst Toch |
1887–1964 |
German |
7 symphonies |
|
Kurt Atterberg |
1887–1974 |
Swedish |
Symphony No. 6: Dollarsymphony |
|
Nadia Boulanger |
1887–1979 |
French |
|
mentor of many composers
|
Matthijs Vermeulen |
1888–1967 |
Dutch |
7 symphonies |
|
Grigoras Dinicu |
1889–1949 |
Romanian |
mostly for violin and piano, Hora staccato |
|
Vladimir Shcherbachov |
1889–1952 |
Russian |
|
|
Luís de Freitas Branco |
1890–1955 |
Portuguese |
4 symphonies |
|
Bohuslav Martinů |
1890–1959 |
Czech |
Symphonies Nos. 3 and 6; Gilgamesh (oratorio); chamber music |
neoclassicism, folk-influenced
|
Jacques Ibert |
1890–1962 |
French |
Escales; Bacchanale; Flute Concerto |
neoclassicism
|
Gösta Nystroem |
1890–1966 |
Swedish |
|
|
Frank Martin |
1890–1974 |
Swiss |
Ballade for flute and piano |
|
Sergei Prokofiev |
1891–1953 |
Russian |
Romeo and Juliet (ballet); The Love for Three Oranges (opera); Classical Symphony; Symphony No. 5 and No. 6; Violin Concerto No. 1 and No. 2; Piano Concerto No. 2 and No. 3; Alexander Nevsky; Lieutenant Kijé; 9 piano sonatas; Peter and the Wolf |
neoclassicism
|
Mihail Jora |
1891–1971 |
Romanian |
|
|
Arthur Bliss |
1891–1975 |
British |
A Colour Symphony |
|
Marcel Grandjany |
1891–1975 |
French |
Pieces for harp; [Headed Harp Dept at Fontainbleau & Juilliard) |
Noted harpist and teacher
|
Arthur Honegger |
1892–1955 |
Swiss |
Symphony No. 3: Liturgique; Pacific 231; Les Misérables (film music) |
neoclassicism
|
László Lajtha |
1892–1963 |
Hungarian |
9 symphonies |
|
Ferde Grofé |
1892–1972 |
American |
Grand Canyon Suite |
|
Darius Milhaud |
1892–1974 |
French |
La Création du Monde; Le Bœuf sur le toit |
jazz-influenced, neoclassical
|
Hendrik Andriessen |
1892–1981 |
Dutch |
|
father of Louis Andriessen
|
Herbert Howells |
1892–1983 |
British |
Hymnus paradisi |
|
Germaine Tailleferre |
1892–1983 |
French |
|
|
Hilding Rosenberg |
1892–1985 |
Swedish |
8 symphonies; Violin Concerto |
|
Kaikhosru Sorabji |
1892–1988 |
British |
Opus Clavicembalisticum |
neoclassical, new age
|
Rued Langgaard |
1893–1952 |
Danish |
16 symphonies |
|
Arthur Benjamin |
1893–1960 |
Australian |
Jamaican Rhumba, operas, film scores, chamber works |
|
Douglas Moore |
1893–1969 |
American |
The Ballad of Baby Doe (opera), The Devil and Daniel Webster (folk opera) |
Pulitzer Prize winner
|
Alois Hába |
1893–1973 |
Czech |
Matka (opera) |
microtonal
|
Jean Absil |
1893–1974 |
Belgian |
|
|
Federico Mompou |
1893–1987 |
Spanish |
piano music |
|
Leo Ornstein |
1893–2002 |
American |
Wild Mens Dance, Suicide in an Airplane, 5 piano sonatas, Piano Quintet, 3 String Quartets |
Avant-garde
|
Erwin Schulhoff |
1894–1942 |
Czech |
6 symphonies |
|
Willem Pijper |
1894–1947 |
Dutch |
3 symphonies; Six Adagios; Piano Concerto |
atonal
|
Ernest John Moeran |
1894–1950 |
British |
Symphony in G minor |
folk-influenced
|
Sabin Dragoi |
1894–1968 |
Romanian |
Piano Concerto |
|
Walter Piston |
1894–1976 |
American |
The Incredible Flutist (ballet); Symphony No. 2 and No. 6 |
Neo-classicism
|
Robert Russell Bennett |
1894–1981 |
American |
Broadway arrangements; pieces for band |
|
Paul Hindemith |
1895–1963 |
German |
Symphonic Metamorphoses on Themes of Weber; Mathis der Maler (opera); Ludus Tonalis; chamber music; Flute Sonata |
Neo-Baroque, neoclassicism
|
Mario Castelnuovo-Tedesco |
1895–1968 |
Italian |
guitar music |
|
Borys Lyatoshynsky |
1895–1968 |
Ukrainian |
5 symphonies |
|
Leo Sowerby |
1895–1968 |
American |
Choral music; Organ works; 5 symphonies; Chamber works |
Pulitzer Prize winner; organist & choirmaster
|
Johann Nepomuk David |
1895–1977 |
Austrian |
8 symphonies |
neoclassical
|
Carl Orff |
1895–1982 |
German |
Carmina Burana |
|
Gordon Jacob |
1895–1984 |
British |
|
|
Roberto Gerhard |
1896–1970 |
Spanish |
4 symphonies |
|
Howard Hanson |
1896–1981 |
American |
7 symphonies |
Romanticism
|
Roger Sessions |
1896–1985 |
American |
9 symphonies |
serialism
|
Virgil Thomson |
1896–1989 |
American |
Four Saints in Three Acts, The Mother of Us All; Louisiana Story; also noted critic |
folk-influenced, eclectic
|
Oscar Lorenzo Fernández |
1897–1948 |
Brazilian |
"Batuque" from Malazarte (opera), two symphonies |
nationalism
|
Erich Wolfgang Korngold |
1897–1957 |
Austrian |
Violin Concerto; film music |
|
Henry Cowell |
1897–1965 |
American |
|
eclectic, experimental
|
Gaspar Cassado |
1897–1966 |
Spanish |
Toccata, Requiebros |
|
Quincy Porter |
1897–1966 |
American |
|
|
Alexandre Tansman |
1897–1986 |
Polish |
|
|
George Gershwin |
1898–1937 |
American |
Rhapsody in Blue; Piano Concerto; An American in Paris; Porgy and Bess (opera) |
jazz-influenced
|
Lev Knipper |
1898–1974 |
Russian |
|
|
Roy Harris |
1898–1979 |
American |
Symphony No. 3 |
|
Alexander Abramsky |
1898–1985 |
Russian |
1941 piano concerto |
folk music-influenced
|
Vittorio Rieti |
1898–1994 |
Italian |
|
|
Silvestre Revueltas |
1899–1940 |
Mexican |
Sensemayá |
|
Francis Poulenc |
1899–1963 |
French |
Babar the Elephant;Flute Sonata Stabat Mater; chamber music |
neoclassicism
|
George Frederick McKay |
1899–1970 |
American |
|
|
Alexander Tcherepnin |
1899–1977 |
Russian |
|
son of Nikolai Tcherepnin
|
Carlos Chávez |
1899–1978 |
Mexican |
6 symphonies |
folk-music influenced
|
Georges Auric |
1899–1983 |
French |
|
|
Randall Thompson |
1899–1984 |
American |
Alleluia; The Testament of Freedom; other choral works; 3 Symphonies; 2 String Quartets |
|
Kurt Weill |
1900–1950 |
German |
Symphony No. 2; musicals |
neoclassical
|
George Antheil |
1900–1959 |
American |
Ballet mécanique; Symphony No. 4 |
Avant-garde, later neoclassical
|
Uuno Klami |
1900–1961 |
Finnish |
Sea Pictures; Kalevala Suite |
|
Colin McPhee |
1900–1964 |
Canadian |
Tabuh-Tabuhan: Toccata for Orchestra |
folk-influenced
|
Alexander Mosolov |
1900–1973 |
Russian |
Iron Foundry |
Avant-garde
|
Aaron Copland |
1900–1990 |
American |
Appalachian Spring (ballet); Billy the Kid (ballet); Rodeo (ballet); Fanfare for the Common Man; Clarinet Concerto |
neoclassical, Folk music influence, jazz influence, early twelve-tone, later serialism
|
Ernst Krenek |
1900–1991 |
Austrian |
Jonny spielt auf, Karl V, Lamentatio Jeremiae prophetae |
neoclassical, twelve-tone, later serial, neoromantic, eclectic
|
Alan Bush |
1900–1995 |
British |
|
|
Gerald Finzi |
1901–1956 |
British |
Cello Concerto; songs |
neoromantic
|
Henri Tomasi |
1901–1971 |
French |
|
|
Harry Partch |
1901–1974 |
American |
Daphne of the Dunes, Revelation in the Courthouse Park |
microtonal, just intonation, self-built instruments
|
Edmund Rubbra |
1901–1986 |
British |
11 symphonies; Violin Concerto |
|
Henri Sauguet |
1901–1989 |
French |
4 symphonies |
|
Joaquín Rodrigo |
1901–1999 |
Spanish |
Concierto de Aranjuez; guitar music |
neoclassical, folk music influence
|
Vissarion Shebalin |
1902–1963 |
Russian |
|
|
Stefan Wolpe |
1902–1972 |
German |
|
serial
|
John Vincent |
1902–1977 |
American |
Consort for Piano and Strings |
neoclassical
|
William Walton |
1902–1983 |
British |
Symphony No. 1; Violin Concerto; Viola Concerto; Variations on a Theme by Hindemith; Belshazzar's Feast (oratorio) |
avant-garde (early), neoromantic, neoclassical
|
Maurice Duruflé |
1902–1986 |
French |
Requiem; organ music |
|
Mario Pilati |
1903–1938 |
Italian |
Piedigrotta (opera) |
|
Vittorio Giannini |
1903–1966 |
Italian |
operas, symphonic & band works |
neoclassical
|
Vernon Duke |
1903–1969 |
Russian |
|
jazz-influenced
|
Boris Blacher |
1903–1975 |
German |
|
|
Luis H. Salgado |
1903–1977 |
Ecuadorian |
Sanjuanito futurista; Eunice (opera); Cumandá (opera); 9 symphonies |
folk-influenced/modernist
|
Aram Khachaturian |
1903–1978 |
Armenian |
Gayane (ballet, contains the famous Sabre Dance); Spartacus (ballet); concertos |
|
Priaulx Rainier |
1903–1986 |
South African / British |
Ploërmel, Quanta, String Trio |
|
Ervin Nyíregyházi |
1903–1987 |
Hungarian |
Also pianist; hand-double in Hollywood films of piano playing |
Romanticism
|
Lennox Berkeley |
1903–1989 |
British |
4 symphonies |
neoclassical, later serial
|
Nikolaos Skalkottas |
1904–1949 |
Greek |
twelve-tone, folk music influence |
|
Gavriil Popov |
1904–1972 |
Russian |
Chamber Symphony; Symphony No. 1 |
|
Luigi Dallapiccola |
1904–1975 |
Italian |
Il prigioniero and other operas |
12-Tone
|
Dmitri Kabalevsky |
1904–1987 |
Russian |
The Comedians |
|
Goffredo Petrassi |
1904–2003 |
Italian |
|
|
Walter Leigh |
1905–1942 |
British |
Concertino for Harpsichord and Strings; Agincourt; Jolly Roger; Music for Strings |
neoclassical
|
Constant Lambert |
1905–1951 |
British |
The Rio Grande |
popular music influence, jazz influence
|
Karl Amadeus Hartmann |
1905–1963 |
German |
8 symphonies |
|
Alan Rawsthorne |
1905–1971 |
British |
3 symphonies; concertos; Symphonic Studies |
neoclassical
|
André Jolivet |
1905–1974 |
French |
|
|
Eduard Tubin |
1905–1982 |
Estonian |
11 symphonies |
|
William Alwyn |
1905–1985 |
British |
5 symphonies; Lyra Angelica; Elizabethan Dances |
neoromantic
|
Giacinto Scelsi |
1905–1988 |
Italian |
Quattro pezzi chiascuno su una nota sola |
unclassifiable
|
Michael Tippett |
1905–1998 |
British |
The Midsummer Marriage; 4 symphonies; A Child of Our Time (oratorio) |
|
Benjamin Frankel |
1906–1973 |
British |
|
|
Dmitri Shostakovich |
1906–1975 |
Russian |
Symphony No. 5, No. 7, No. 9, and No. 10; Violin Concerto No. 1; Cello Concerto No. 1; Festive Overture; String Quartet No. 8; Piano Quintet; Romance from The Gadfly Suite |
neoclassical, neoromantic
|
Grace Williams |
1906–1977 |
Welsh |
|
|
Klaus Egge |
1906–1979 |
Norwegian |
|
|
Armando José Fernandes |
1906-1983 |
Portuguese |
|
|
Jānis Ivanovs |
1906–1983 |
Latvian |
21 symphonies |
neoromantic
|
Elisabeth Lutyens |
1906–1983 |
British |
|
|
Alexander Moyzes |
1906–1984 |
Slovakian |
12 symphonies |
|
Paul Creston |
1906–1985 |
American |
6 symphonies |
neoclassical
|
Fernando Lopes-Graça |
1906-1994 |
Portuguese |
|
|
Louise Talma |
1906–1996 |
American |
|
|
Hisato Ohzawa |
1907–1953 |
Japanese |
|
|
Martin Scherber |
1907–1974 |
German |
|
|
Henk Badings |
1907–1987 |
Dutch |
|
|
Ahmet Adnan Saygun |
1907–1991 |
Turkish |
5 symphonies |
|
Camargo Guarnieri |
1907–1993 |
Brazilian |
|
|
Elizabeth Maconchy |
1907–1994 |
British |
|
|
Miklós Rózsa |
1907–1995 |
Hungarian |
concertos; Ben-Hur (film music); Spellbound (film music) |
folk-influenced
|
Elliott Carter |
1908– |
American |
Variations for Orchestra; A Symphony of Three Orchestras; 5 string quartets |
neoclassical (early), modernist
|
Leroy Anderson |
1908–1975 |
American |
Sleigh Ride; Blue Tango; Jazz Pizzicato; Irish Suite; Suites of Carols |
|
Geirr Tveitt |
1908–1981 |
Norwegian |
6 piano concertos |
folk-influenced
|
Lars-Erik Larsson |
1908–1986 |
Swedish |
3 symphonies |
|
Olivier Messiaen |
1908–1992 |
French |
Turangalila Symphony; Quartet for the End of Time; Vingt regards sur l'enfant-Jésus; Saint François d'Assise (opera) |
mysticism, post-impressionist
|
Herman David Koppel |
1908–1998 |
Danish |
13 symphonies |
neoclassical
|
Paul Constantinescu |
1909–1963 |
Romanian |
Violin Concerto,Piano Concerto,Choir,Movie Music,Chamber Music,Opera |
|
Elie Siegmeister |
1909–1991 |
American |
9 Operas; 8 Symphonies; Western Suite (premiered by Toscanini); song cycles |
Americana-influenced; also author
|
Vagn Holmboe |
1909–1996 |
Danish |
13 symphonies |
Neo-classicism
|
Ljubica Marić |
1909–2003 |
Serb |
Sounds of Space,Ostinato Super Thema Octoicha,Threshold of Dream |
post-modern
|
H. Owen Reed |
1910– |
American |
La Fiesta Mexicana |
folk-influenced
|
Samuel Barber |
1910–1981 |
American |
Adagio for Strings; Violin Concerto; Symphony in One Movement; Vanessa (opera) |
Romanticism; 2 Pulitzer Prizes
|
William Schuman |
1910–1992 |
American |
Symphonies; ballets; band pieces; chamber works; New England Triptych |
Pulitzer Prize (1st awarded for music); President of Juilliard; 1st President of Lincoln Center; Guest on What's My Line (TV Quiz Show)
|
Pierre Schaeffer |
1910–1995 |
French |
|
Musique concrète
|
Rolf Liebermann |
1910–1999 |
Swiss |
Leonore 40/45 (opera); Concerto for Jazzband and Symphony Orchestra |
Also noted opera administrator
|
Jehan Alain |
1911–1940 |
French |
Organ music |
|
Nino Rota |
1911–1979 |
Italian |
Vocal, orchestral and chamber music, The Godfather (film score), Romeo & Juliet (film score), 8 1/2 (film score) |
|
Allan Pettersson |
1911–1980 |
Swedish |
17 symphonies |
Neo-romanticism
|
Alan Hovhaness |
1911–2000 |
American |
67 numbered symphonies including Mysterious Mountain; And God Created Great Whales (taped whale sounds and orchestra); Fantasy on Japanese Woodprints |
Mysticism
|
Robert McBride |
1911–2007 |
American |
Mexican Rhapsody, Farewell to Yesterday (film score), The Man with My Face (film score) |
Jazz and Popular music influences
|
Gian Carlo Menotti |
1911–2007 |
Italian |
operas including The Medium, The Consul and Amahl and the Night Visitors; concerti |
Librettist; 2 Pulitzer Prizes
|
José Pablo Moncayo |
1912–1958 |
Mexican |
Huapango |
|
Igor Markevitch |
1912–1983 |
Ukrainian |
|
Also noted conductor
|
Peggy Glanville-Hicks |
1912–1990 |
Australian |
Etruscan Concerto; The Transposed Heads (opera); Nausicaa (opera) |
|
John Cage |
1912–1992 |
American |
4'33"; Sonatas and Interludes |
Aleatoric music, Extended technique, Prepared Piano
|
Daniel Jones |
1912–1993 |
Welsh |
|
|
Jean Françaix |
1912–1997 |
French |
|
|
Conlon Nancarrow |
1912–1997 |
American-Mexican |
Studies for player-piano |
|
Carlos Guastavino |
1912–2000 |
Argentine |
|
|
Xavier Montsalvatge |
1912–2002 |
Spanish |
|
|
Constantin Silvestri |
1913–1969 |
Romanian |
|
|
Benjamin Britten |
1913–1976 |
British |
Sinfonia da Requiem; Young Person's Guide to the Orchestra; War Requiem; Cello Symphony; Peter Grimes (opera) |
Neo-classicism
|
Peggy Stuart Coolidge |
1913–1981 |
American |
Spirituals in Sunshine and Shadow, New England Autumn |
folk- and blues-influenced
|
Maurice Ohana |
1913–1992 |
French |
|
|
Witold Lutosławski |
1913–1994 |
Polish |
Concerto for Orchestra; Musique funebre; Jeux vénitiens; Preludes and a Fugue; Symphony No. 2 and Symphony No. 3 |
Neo-classicism, folk-influenced, later Aleatoric music
|
Morton Gould |
1913–1996 |
American |
Concert music; Film & TV scores |
Also noted conductor; Pulitzer Prize winner
|
George Lloyd |
1913–1998 |
British |
12 symphonies; 7 Concerti; 4 works for Brass Band |
|
Henry Brant |
1913–2008 |
Canadian-American |
Orbits, Verticals Ascending, Angels and Devils |
spatial music; Pulitzer Prize Winner |
|
Irving Fine |
1914–1963 |
American |
|
serial
|
Andrzej Panufnik |
1914–1991 |
Polish |
10 symphonies |
|
Harold Truscott |
1914–1992 |
British |
|
|
Wilfrid Mellers |
1914–2008 |
British |
|
|
Earl Wild |
1915– |
American |
"Sonata 2000"; Doo-Dah Variations; numerous piano transcriptions |
also a concert pianist
|
Vincent Persichetti |
1915–1987 |
American |
Symphonies & band works; 25 Parables for solo instruments; vocal & chamber works |
neoclassicism; noted teacher
|
Douglas Lilburn |
1915–2001 |
New Zealand |
3 symphonies; Aotearoa |
|
John Serry, Sr. |
1915–2003 |
American |
American Rhapsody; Concerto For Free Bass Accordion; Processional For Organ |
Classical music, Jazz, Popular music, Liturgical music
|
Robert Strassburg |
1915–2003 |
American |
Lost, Chelm; Leaves of Grass |
Opera, Classical music Liturgical music, Film scores
|
David Diamond |
1915–2005 |
American |
11 symphonies; 10 String Quartets and other Chamber works |
neoclassicism
|
Milton Babbitt |
1916– |
American |
Composition for Four Instruments; six string quartets; Philomel |
serialism, electronic music
|
Henri Dutilleux |
1916– |
French |
2 symphonies; Tout un Monde Lointain; The Shadows of Time; Timbres, espace, mouvement |
Neo-impressionism
|
Alberto Ginastera |
1916–1983 |
Argentine |
Panambi (ballet); Malambo; 2 piano concertos; 3 piano sonatas |
|
Einar Englund |
1916–1999 |
Finnish |
Symphony No. 2 |
|
John Gardner |
1917– |
British |
3 symphonies; Tomorrow Shall Be My Dancing Day |
|
Dinu Lipatti |
1917–1950 |
Romanian |
Piano Works |
|
Isang Yun |
1917–1995 |
Korean-German |
5 symphonies; much chamber music |
Korean-influenced
|
Lou Harrison |
1917–2003 |
American |
Concerto for Violin and Percussion Orchestra; Piano Concerto; 4 symphonies; much gamelan music |
Asian-influences; varied tunings
|
Richard Arnell |
1917–2009 |
British |
6 symphonies |
|
Bernd Alois Zimmermann |
1918–1970 |
German |
Die Soldaten; Musique pour les soupers du Roi Ubi; Tratto; Tempus loquendi |
serialism, musical quotation, collage, electronic music, jazz-influenced, eclectic
|
Gara Garayev |
1918–1982 |
Azerbaijani |
|
|
Leonard Bernstein |
1918–1990 |
American |
West Side Story (musical); Chichester Psalms; Candide; Serenade; Mass; 3 symphonies |
jazz and popular music influence; Significant Conductor in US and Europe
|
Gottfried von Einem |
1918–1996 |
Austrian |
operas |
eclectic
|
Liviu Comes |
1918–2004 |
Romanian |
choral |
|
George Rochberg |
1918–2005 |
American |
6 symphonies; 7 string quartets |
serialism, later neo-romanticism
|
Jacob Avshalomov |
1919– |
American |
Orchestra works; Choral works |
son of Aaron Avshalomov; also noted conductor
|
Mieczyslaw Weinberg |
1919–1996 |
Polish |
22 symphonies; 17 string quartets |
|
Galina Ustvolskaya |
1919–2006 |
Russian |
|
|
Leon Kirchner |
1919–2009 |
American |
Piano music; String Quartets |
Pulitzer Prize Winner
|
Harold Shapero |
1920– |
American |
Symphony for Classical Orchestra |
Recordings conducted by Leonard Bernstein and Andre Previn
|
Bruno Maderna |
1920–1973 |
Italian |
Satyricon (opera) |
avant-garde, electronic music
|
Peter Racine Fricker |
1920–1990 |
British |
|
|
Geoffrey Bush |
1920–1998 |
British |
|
|
Earl Kim |
1920–1998 |
Korean-American |
|
|
Chaya Arbel |
1921– |
Israeli |
|
|
Karel Husa |
1921– |
Czech-American |
Music for Prague 1968; Music for Band, Orchestra, Chamber Ensembles |
Pulitzer Prize
|
Astor Piazzolla |
1921–1992 |
Argentine |
tangos |
|
Joonas Kokkonen |
1921–1996 |
Finnish |
|
|
Robert Simpson |
1921–1997 |
British |
11 symphonies; 15 string quartets |
also author; producer with BBC
|
Božidar Kantušer |
1921–1999 |
American/Slovenian |
|
|
Ralph Shapey |
1921–2002 |
American |
|
|
Malcolm Arnold |
1921–2006 |
British |
Symphony No. 5 and No. 7; English Dances; film music |
|
Andrew Imbrie |
1921–2007 |
American |
|
serialism, neoclassicism
|
Kazimierz Serocki |
1922–1981 |
Polish |
|
|
Iain Hamilton |
1922–2000 |
Scottish |
Chamber & Orchestral works; operas & vocal works |
|
Iannis Xenakis |
1922–2001 |
Greek |
Metastasis |
avant-garde, Stochastic
|
Raffaello de Banfield |
1922–2008 |
British |
|
|
Chou Wen-chung |
1923– |
Chinese/American |
Landscapes |
student of Edgar Varese
|
Ned Rorem |
1923– |
American |
Our Town (opera); Air Music; 3 numbered symphonies; over 400 songs |
Pulitzer Prize winner
|
Simeon ten Holt |
1923– |
Dutch |
Canto Ostinato |
minimalism
|
Peter Mennin |
1923–1983 |
American |
9 symphonies |
|
Karel Goeyvaerts |
1923–1993 |
Belgian |
Aquarius (opera) |
neoclassicism, serialism, minimalism, postminimalism, mysticism, electronic music
|
György Ligeti |
1923–2006 |
Hungarian |
Atmosphères, Musica ricercata, Lux Aeterna |
avant-garde, micropolyphony
|
Benjamin Lees |
1924– |
American |
Concerto for String Quartet and Orchestra |
|
Joly Braga Santos |
1924–1988 |
Portuguese |
6 symphonies |
|
Luigi Nono |
1924–1990 |
Italian |
|
Avant-garde
|
Pierre Boulez |
1925– |
French |
Le marteau sans maître; ...explosante-fixe... |
Avant-garde, serialism, aleatory; Also noted conductor
|
Aldo Clementi |
1925– |
Italian |
|
|
Andrei Yakovlevich Eshpai |
1925– |
Russian |
|
|
Gunther Schuller |
1925– |
American |
|
jazz influence; Third Stream; also horn player and author; President of Eastman School of Music; Pulitzer Prize winner
|
Mikis Theodorakis |
1925– |
Greek |
Film scores including Zorba the Greek; Song cycles, symphonic works |
Arrested and exiled 1967-74
|
Julián Orbón |
1925–1991 |
Spanish/Cuban |
Three Symphonic Versions |
|
Boris Tchaikovsky |
1925–1996 |
Russian |
4 symphonies |
|
Luciano Berio |
1925–2003 |
Italian |
Sequenza; Sinfonia |
Avant-garde
|
Teo Macero |
1925–2008 |
American |
One and Three Quarters |
microtonal, jazz influenced
|
Carlisle Floyd |
1926– |
American |
Susannah (opera) |
|
Hans Werner Henze |
1926– |
German |
Ondine (ballet); 10 symphonies; 3 violin concertos |
|
Lee Hoiby |
1926– |
American |
Vocal music, operas, songs |
Also pianist
|
György Kurtág |
1926– |
Hungarian |
|
|
Morton Feldman |
1926–1987 |
American |
|
|
Earle Brown |
1926–2002 |
American |
|
Open Form; Graphic Notation
|
John Joubert |
1927– |
British |
|
|
Franco Donatoni |
1927–2000 |
Italian |
|
|
Donald Erb |
1927–2008 |
American |
Concerto for Trombone and Orchestra; Concerto for Violin and Orchestra |
jazz-influenced, aleatory, electronic music, eclectic
|
Ennio Morricone |
1928– |
Italian |
|
|
Thea Musgrave |
1928– |
Scottish |
|
|
Einojuhani Rautavaara |
1928– |
Finnish |
Cantus Arcticus; Symphony No. 7: Angel of Light; Piano Concerto No. 3: The Gift of Dreams |
Mysticism
|
Tadeusz Baird |
1928–1981 |
Polish |
|
|
Nicolas Flagello |
1928–1994 |
American |
|
neo-classicism
|
Jacob Druckman |
1928–1996 |
American |
Windows and other orchestral works; String Quartet #3 |
Pulitzer Prize winner
|
Robert Helps |
1928–2001 |
American |
|
Also notable pianist
|
David Farquhar |
1928–2007 |
New-Zealander |
A Unicorn for Christmas, Ring Round the Moon |
neo-classicism
|
Karlheinz Stockhausen |
1928–2007 |
German |
Gruppen; Kontakte; Hymnen; Stimmung; Mantra; Tierkreis; Licht |
Avant-garde, electronic music, serialism, aleatory, world music, intuitive music, formula composition
|
Antonio Braga |
1929– |
Italian |
|
|
George Crumb |
1929– |
American |
Ancient Voices of Children, Black Angels |
Extended technique, Numerology
|
Frédéric Devreese |
1929– |
Belgian |
|
|
Jerry Goldsmith |
1929– |
American |
|
Film and Concert composer
|
André Previn |
1929– |
German/American |
A Streetcar Named Desire (opera) |
also a conductor & pianist
|
Josef Anton Riedl |
1929– |
German |
|
|
Bogusław Schaeffer |
1929– |
Polish |
|
|
Peter Sculthorpe |
1929– |
Australian |
Requiem; Kakadu; Earth Cry; Piano Concerto; 17 string quartets |
world music
|
Kenneth Leighton |
1929–1988 |
British |
|
|
Theo Bruins |
1929–1993 |
Dutch |
|
|
Edison Denisov |
1929–1996 |
Russian |
|
|
Alun Hoddinott |
1929–2008 |
Welsh |
|
|
Henri Pousseur |
1929–2009 |
Belgian |
Scambi; Votre Faust; Trois visages à Liège; Couleurs croisées |
serialism, aleatory, eclectic, electronic music, world music, popular music influence
|
Cristóbal Halffter |
1930– |
Spanish |
Líneas y puntos; Don Quixote |
avant-garde, eclectic, electronic music
|
Theo Loevendie |
1930– |
Dutch |
|
|
Stephen Sondheim |
1930– |
American |
Sweeney Todd, The Demon Barber of Fleet Street; A Little Night Music and other operas/operettas |
|
William P. Perry |
1930– |
American |
musicals; more than 300 silent film scores; Trumpet Concerto |
Also TV Producer and pianist
|
Tōru Takemitsu |
1930–1996 |
Japanese |
A Flock Descends into the Pentagonal Garden; Toward the Sea |
Neo-impressionism
|
Sofia Gubaidulina |
1931– |
Russian |
Offertorium |
|
Derek Holman |
1931– |
Canadian |
|
|
André Laporte |
1931– |
Belgian |
Das Schloss |
eclectic
|
Arne Nordheim |
1931– |
Norwegian |
Epitaffio; The Tempest (ballet); Magma |
many works include electronics
|
Ib Nørholm |
1931– |
Danish |
|
|
Makoto Shinohara |
1931– |
Japanese |
Fragmente |
electronic music, influence of traditional Japanese music
|
Malcolm Williamson |
1931–2003 |
Australian |
Mass of Christ the King; The Dawn is at Hand; 7 numbered symphonies; cassations |
Master of the Queen's Music (1975–2003)
|
Mauricio Kagel |
1931–2008 |
Argentine |
Staatstheater |
|
Alexander Goehr |
1932– |
British (German born) |
Behold the Sun Romanza for cello and orchestra |
twelve-tone, later modal, eclectic
|
Wojciech Kilar |
1932– |
Polish |
Krzesany; Dracula (film music) |
holy minimalism
|
Richard Meale |
1932– |
Australian |
Voss |
avant-garde
|
Per Nørgård |
1932– |
Danish |
7 symphonies; Voyage into the Golden Screen |
|
Rodion Shchedrin |
1932– |
Russian |
2 Symphonies and other orchestral works; The Carmen Ballet and other ballets; 6 piano concertos; solo piano works |
|
Gilles Tremblay |
1932– |
Canadian |
Sonorisation du Pavillion du Québec; Fleuves |
electronic music, serialism
|
John Williams |
1932– |
American |
Jaws (film music); Star Wars (film music) |
|
Niccolò Castiglioni |
1932–1996 |
Italian |
|
|
M. William Karlins |
1932–2005 |
American |
Works for Saxophone; works for Double Bass |
|
Leonardo Balada |
1933– |
Spanish-American |
6 symphonies; 6 operas; various concertos |
Avant-garde, later folk-influenced
|
Henryk Górecki |
1933– |
Polish |
Symphony of Sorrowful Songs |
holy minimalism
|
Krzysztof Penderecki |
1933– |
Polish |
Threnody for the Victims of Hiroshima; St. Luke Passion; A Polish Requiem; Symphony No. 2: Christmas |
avant-garde, extended technique, later neo-romanticism
|
Yves Prin |
1933– |
French |
|
Neo-impressionism
|
Bo Linde |
1933–1970 |
Swedish |
|
neo-romanticism
|
Harrison Birtwistle |
1934– |
British |
The Mask of Orpheus |
|
Peter Maxwell Davies |
1934– |
British |
Eight Songs for a Mad King; 8 symphonies |
Master of the Queen's Music (2004–)
|
Christian Wolff |
1934– |
American |
|
|
William Mathias |
1934–1992 |
Welsh |
3 symphonies, Concerto for Harp |
|
Alfred Schnittke |
1934–1998 |
Russian |
10 symphonies, cello sonata, piano quintet, |
polystylism, music for films
|
Giya Kancheli |
1935– |
Georgian |
7 symphonies |
holy minimalism
|
Helmut Lachenmann |
1935– |
German |
Schwankungen am Rand; Gran Torso; Das Mädchen mit den Schwefelhölzern (opera) |
extended technique
|
François-Bernard Mâche |
1935– |
French |
|
|
Nicholas Maw |
1935– |
British |
Odyssey; The World in the Evening |
|
Arvo Pärt |
1935– |
Estonian |
Tabula Rasa; Fratres; Summa; Cantus In Memoriam Benjamin Britten |
holy minimalism
|
Terry Riley |
1935– |
American |
In C |
minimalism
|
Aulis Sallinen |
1935– |
Finnish |
8 symphonies; The King Goes Forth to France (opera) |
|
La Monte Young |
1935– |
American |
The Well-Tuned Piano |
minimalism, microtonal music, improvisation, Asian-music influence
|
Peter Schat |
1935–2003 |
Dutch |
|
|
Gilbert Amy |
1936– |
French |
|
serialism, film music, electronic music; also a noted conductor
|
Richard Rodney Bennett |
1936– |
British |
|
Also pianist
|
Frans Geysen |
1936– |
Belgian |
Periferisch-Diagonaal-Concentrisch; Twee orgels |
twelve-tone technique, minimalism, atonal
|
Steve Reich |
1936– |
American |
Piano Phase; Music for 18 Musicians |
minimalism; Pulitzer Prize Winner
|
Aribert Reimann |
1936– |
German |
Vocal Music & Operas |
|
Robert Suderburg |
1936– |
American |
Concerto, Within the Mirror of Time, for piano and orchestra; Chamber Music VII ("Ceremonies") |
|
Cornelius Cardew |
1936–1981 |
British |
Treatise; The Great Learning |
serialism, improvisation, aleatory
|
Osvaldas Balakauskas |
1937– |
Lithuanian |
5 symphonies; concertos |
|
Azio Corghi |
1937– |
Italian |
Divara – Wasser und Blut (opera) |
|
Jean-Louis Petit |
1937– |
French |
|
|
David Del Tredici |
1937– |
American |
Child Alice; Final Alice |
Pulitzer Prize Winner
|
Philip Glass |
1937– |
American |
Violin Concerto; operas; 8 symphonies |
minimalism
|
Walter Hekster |
1937– |
Dutch |
|
|
Nikolai Kapustin |
1937– |
Russian |
|
|
Bo Nilsson |
1937– |
Swedish |
|
|
Valentin Silvestrov |
1937– |
Ukrainian |
Symphony No. 5 |
|
Yehuda Yannay |
1937– |
American-Israeli |
"At the End of the Parade" ; "Radiant Inner Light";Piano Concerto |
extended techniques; multimedia; postmodern
|
Mesias Maiguashca |
1938- |
Ecuadorian |
F-Melodies; Ayayayayay |
electronic music; spectralism
|
Bart Berman |
1938– |
Dutch-Israeli |
|
|
William Bolcom |
1938– |
American |
Songs of Experience; Songs of Innocence |
Pulitzer Prize Winner
|
Gloria Coates |
1938– |
American |
Music on Open Strings; 15 symphonies |
|
John Corigliano |
1938– |
American |
Symphony No. 2; A Dylan Thomas Trilogy; The Red Violin (film music) |
polystylism
|
Alvin Curran |
1938– |
American |
For Cornelius; Songs and Views From the Magnetic Garden; Inner Cities |
|
John Harbison |
1938– |
American |
The Great Gatsby (opera) |
Pulitzer Prize Winner
|
Dianne Goolkasian Rahbee |
1938– |
American |
|
|
Frederic Rzewski |
1938– |
American |
The People United Will Never Be Defeated! |
|
Joan Tower |
1938– |
American |
Petroushskates; Concerto for Orchestra; Sequoia; Fanfare for the Uncommon Woman |
Pianist with Da Capo Chamber Players
|
Jan Vriend |
1938– |
Dutch |
|
|
Charles Wuorinen |
1938– |
American |
Time's Encomium; 8 symphonies; chamber music |
twelve-tone technique, serialism; Pulitzer Prize Winner
|
Gregory Short |
1938–1998 |
American |
|
|
Louis Andriessen |
1939– |
Dutch |
|
minimalism
|
Wendy Carlos (Originally Walter Carlos) |
1939– |
American |
Switched-On Bach (Moog Synthesizer) |
Electronic music (original and transcriptions)
|
Jonathan Harvey |
1939– |
British |
Mortuos Plango, Vivos Voco; Advaya; Bhakti; Wheel of Emptiness |
spectralism
|
Heinz Holliger |
1939– |
Swiss |
Schneewittchen (opera) |
Also notable oboist
|
John McCabe |
1939– |
British |
Chagall Windows; symphonies; ballets; string quartets |
Also notable pianist (Haydn, British composers)
|
Tomas Svoboda |
1939– |
Czech |
|
|
Boris Tishchenko |
1939– |
Russian |
7 symphonies |
|
Ellen Taaffe Zwilich |
1939– |
American |
5 symphonies; Concertos; Chamber Music |
Pulitzer Prize winner (1st woman to win)
|
Octavian Nemescu |
1940– |
Romanian |
orchestral, chamber, choral, electroacoustic, multimedia, metamusic, imaginary, and ritual works |
|
Frank Zappa |
1940–1993 |
American |
The Yellow Shark |
also an electric guitarist
|
Jorge Peixinho |
1940–1995 |
Portuguese |
|
electronic music
|
Konrad Boehmer |
1941– |
Dutch (born in Germany) |
Aspekt, Apocalipsis cum figuris, Doktor Faustus (opera) |
serialism, jazz and rock music influence, electronic music
|
Paul Alan Levi |
1941– |
American |
|
|
Emmanuel Nunes |
1941– |
Portuguese |
Machina Mundi; Quodlibet |
electronic music
|
Stephen Albert |
1941–1992 |
American |
Symphony No. 1: Riverrun |
Pulitzer Prize winner
|
Jon Lord |
1942– |
British |
Concerto for Group and Orchestra; Durham Concerto |
member of Deep Purple
|
Paul McCartney |
1942– |
British |
Ecce Cor Meum |
member of Beatles
|
John McGuire |
1942– |
American |
Pulse Music III; A Capella |
electronic music, fusion of serialism and minimalism, postminimalism
|
Tomás Marco |
1942– |
Spanish |
Concierto del agua, for guitar and orchestra; 5 symphonies; String Quartet No. 3 ("Anatomía fractal de los ángeles"); Ojos verdes de luna |
avant-garde, neoclassical, folk-music influence, eclectic
|
Jonathan Kramer |
1942–2004 |
American |
|
postmodernism
|
Horaţiu Rădulescu |
1942–2008 |
Romanian/French |
six string quartets |
spectralism
|
Gavin Bryars |
1943– |
British |
|
|
Margriet Ehlen |
1943– |
Dutch |
|
|
Brian Ferneyhough |
1943– |
British |
Etudes Transcendantales |
New Complexity
|
Rolf Gehlhaar |
1943– |
American |
Sub rosa; Five German Dances |
electronic music, sound installations
|
Robin Holloway |
1943– |
British |
|
|
Bill McGlaughlin |
1943– |
American |
Remembering Icarus; Walt Whitman's Dream |
|
Krzysztof Meyer |
1943– |
Polish |
12 string quartets |
|
Joseph Schwantner |
1943– |
American |
Aftertones of Infinity; A Sudden Rainbow |
Pulitzer Prize Winner
|
Roger Smalley |
1943– |
Australian (born British) |
Pulses; 2 piano concertos |
serialism, eclectic
|
Bill Hopkins |
1943–1981 |
British |
En Attendant; Sensation |
|
Ivan Tcherepnin |
1943–1998 |
Russian |
|
son of Alexander Tcherepnin
|
Dennis Eberhard |
1943–2005 |
American |
|
|
Peter Eötvös |
1944– |
Hungarian |
Love and Other Demons (opera) |
eclectic, extended technique, electronic music, folk-music influence
|
York Höller |
1944– |
German |
Schwarze Halbinseln; Der Meister und Margarita (opera) |
electronic music, serialism, Gestalt composition
|
Karl Jenkins |
1944– |
Welsh |
The Armed Man; Adiemus |
|
Pehr Henrik Nordgren |
1944– |
Finnish |
|
|
Michael Nyman |
1944– |
British |
The Piano (film music) |
Minimalism
|
Leif Segerstam |
1944– |
Finnish |
more than 150 symphonies |
also a conductor
|
John Tavener |
1944– |
British |
|
Holy minimalism
|
Luca Lombardi |
1945– |
Italian |
|
|
Keith Jarrett |
1945– |
American |
|
also a jazz pianist
|
John Rutter |
1945– |
British |
choral music |
|
Barry Schrader |
1945– |
American |
|
electro-acoustic
|
Michael Finnissy |
1946– |
British |
|
New Complexity
|
Ulrich Leyendecker |
1946– |
German |
5 symphonies |
|
Robert Xavier Rodriguez |
1946– |
American |
|
|
Pēteris Vasks |
1946– |
Latvian |
|
|
Gérard Grisey |
1946–1998 |
French |
Transitoires; Modulations |
spectral music
|
John Coolidge Adams |
1947– |
American |
Harmonielehre; Nixon in China (opera); Shaker Loops, Short Ride in a Fast Machine; Violin Concerto |
Post-minimalism
|
John Hilliard |
1947– |
American |
|
|
Tristan Murail |
1947– |
French |
Gondwana |
spectral music
|
Karl Aage Rasmussen |
1947– |
Danish |
|
|
Emil Tabakov |
1947– |
Bulgarian |
|
|
Paul Patterson |
1947– |
British |
|
|
Michael Berkeley |
1948– |
British |
|
son of Lennox Berkeley
|
Andrew Lloyd Webber |
1948– |
British |
Cats (musical); Phantom of the Opera (musical) |
|
Claude Vivier |
1948–1983 |
Canadian |
Kopernikus: Rituel de la Mort (opera) |
spectral music, Asian-music influence
|
Kalevi Aho |
1949– |
Finnish |
14 symphonies |
|
Daniel Catan |
1949– |
Mexican |
Florencia en el Amazonas (opera); Rappaccini's Daughter (opera) |
Neo-impressionism
|
Dan Locklair |
1949– |
American |
|
|
Christopher Rouse |
1949– |
American |
Requiem; Karolju; Phantasmata; Gorgon; Oboe Concerto; 2 symphonies |
Pulitzer Prize winner
|
Poul Ruders |
1949– |
Danish |
|
|
Steven Stucky |
1949– |
American |
Son et Lumière; Concerto for Orchestra No. 2; Rhapsodies; August 4, 1964 |
Pulitzer Prize winner
|
Kevin Volans |
1949– |
South African |
Hunting Gathering |
|
Arturo Márquez |
1950– |
Mexican |
Danzón no. 2 |
|
William Sweeney |
1950– |
Scottish |
|
folk-influenced
|
António Pinho Vargas |
1951- |
Portuguese |
OS DIAS LEVANTADOS (1998) opera 8 singers |
|
Lorenzo Ferrero |
1951– |
Italian |
|
|
Michael Rosenzweig |
1951– |
South African |
Symphony in One Movement; String Quartet No. 2 |
|
Doina Rotaru |
1951– |
Romanian |
Concerto for clarinet and orchestra (1984), "Florilegium", concerto for flute and flutes orchestra (1996), "Wings of Light" for 24 flutists (2000) |
Modern
|
George Tsontakis |
1951– |
American |
|
|
Oliver Knussen |
1952– |
British |
Symphony No. 2; Where the Wild Things Are (opera) |
|
Philippe Manoury |
1952– |
French |
60th Parallel (opera) |
|
Dominic Muldowney |
1952– |
British |
|
|
Alla Pavlova |
1952– |
Russian |
|
|
Wolfgang Rihm |
1952– |
German |
12 string quartets; Die Eroberung von Mexico (opera) |
New Simplicity, expressionism
|
Kaija Saariaho |
1952– |
Finnish |
Orion |
|
Peter-Jan Wagemans |
1952– |
Dutch |
|
|
John Luther Adams |
1953– |
American |
Various pieces inspired by Alaskan landscapes |
not to be confused with John Coolidge Adams
|
Violeta Dinescu |
1953– |
Romanian |
Der 35. Mai (children's opera) |
also a professor
|
Peter Scott Lewis |
1953– |
American |
|
|
Wim Mertens |
1953– |
Belgian |
The belly of an architect (incl. Struggle for pleasure), Maximizing the audience |
Minimalism
|
Roberto Sierra |
1953– |
Puerto Rican |
Missa Latina |
|
James Wood |
1953– |
British |
Stoicheia, Ho shang Yao |
Microtonality, percussion, voice
|
Takashi Yoshimatsu |
1953– |
Japanese |
Symphony No. 2 |
|
John Zorn |
1953– |
American |
|
avant-garde
|
Michael Daugherty |
1954– |
American |
UFO |
|
Paul Dirmeikis |
1954– |
American |
Message laisse á Pondichéry le 18 novembre 1973 |
eclectic
|
Elliot Goldenthal |
1954– |
American |
|
|
Arturo Rodas |
1954– |
Franco-Ecuadorian |
Arcaica for orchestra; 24.5 Preludes for piano; El Árbol de los Pájaros (The birds tree): instrumental, electroacoustics, multimedia |
avant-garde, polystylism
|
Pawel Szymanski |
1954– |
Polish |
|
|
Kyle Gann |
1955– |
American |
|
Just intonation
|
Toshio Hosokawa |
1955– |
Japanese |
Circulating Ocean |
Neo-impressionism
|
Michael Obst |
1955– |
German |
Solaris (opera) |
electronic music
|
Bright Sheng |
1955– |
Chinese |
The Silver River (opera) |
folk-influenced
|
Dror Elimelech |
1956– |
Israeli |
|
|
Michael Gordon |
1956– |
American |
|
|
Philip Grange |
1956– |
British |
|
|
Jouni Kaipainen |
1956– |
Finnish |
|
|
Graham Koehne |
1956– |
Australian |
Inflight Entertainment (oboe concerto); Tivoli Dances |
|
Tan Dun |
1957– |
Chinese |
Water Passion after St. Matthew; Crouching Tiger, Hidden Dragon (film music) |
Extended technique, folk-influenced
|
David Lang |
1957– |
American |
The Little Match Girl Passion |
|
Paul Moravec |
1957– |
American |
Spiritdance; Chamber Symphony; Tempest Fantasy; The Time Gallery |
Pulitzer Prize winner
|
Oscar van Dillen |
1958– |
Dutch |
|
|
Magnus Lindberg |
1958– |
Finnish |
Kraft; Clarinet Concerto |
|
Esa-Pekka Salonen |
1958– |
Finnish |
LA Variations; Insomnia; |
also a conductor
|
Thomas Simaku |
1958– |
Albanian composer |
|
|
Davide Zannoni |
1958– |
Italian |
|
|
James MacMillan |
1959– |
British |
The Sacrifice (opera); Veni veni Emmanuel (percussion concerto); The Confession of Isobel Gowdie; St. John Passion; 3 symphonies |
|
Shigeru Kan-no |
1959– |
Japanese |
Play Station Cycles; Simulation Cycles; 2 Violin Concertos; 3 Piano Concertos; 6 Chamber Symphonies; 6 Concerto Grossi; 7 Operas |
also a conductor
|
Erkki-Sven Tüür |
1959– |
Estonian |
6 symphonies; Violin Concerto; Piano Concerto; Searching for Roots |
|
George Benjamin |
1960– |
British |
Sudden Time; Antara |
|
Osvaldo Golijov |
1960– |
Argentine |
|
Mysticism
|
Nigel Clarke |
1960– |
British |
|
|
Alexander Shchetynsky |
1960– |
Ukrainian |
|
|
Mark-Anthony Turnage |
1960– |
British |
Greek (opera); From All Sides (ballet); Mambo, Blue and Tarantella (violin concerto); From the Wreckage (trumpet concerto); Fractured Lines (percussion concerto); Five Views of a Mouth (flute concerto); A Fast Stomp |
|
Unsuk Chin |
1961– |
South Korean |
Alice in Wonderland (opera); Violin Concerto; snagS&Snarls |
|
Jake Heggie |
1961– |
American |
Dead Man Walking (opera); art songs |
|
Hanna Kulenty |
1961– |
Polish |
Ad Unum, Breathe, The Mother of Black Winged-Dreams (opera), Trumpet Concerto, String Quartet No.4 |
|
Erica Muhl |
1961– |
American |
Consolation |
|
Michael Torke |
1961– |
American |
Javelin; Rapture (percussion concerto); Ecstatic Orange |
|
Roman Turovsky |
1961– |
Ukranian/American |
Tombeau for Omelyan Kovch |
historicist-Baroque
|
Isabel Soveral |
1961— |
Portuguese |
|
|
Eurico Carrapatoso |
1962- |
Portuguese |
|
|
Graham Waterhouse |
1962– |
British |
Quintet for Piccolo and String Quartet, Chieftain's Salute, Gestural Variations |
also a cellist
|
Jennifer Higdon |
1962– |
American |
|
|
Alexander Kaloian |
1962– |
Armenian |
|
|
Andersen Viana |
1962– |
Brazilian |
|
|
Edson Zampronha |
1963– |
Brazilian |
Lamenti, Recycling Collaging Sampling, Concert for Piano N.1, Modelagem X-a |
|
Luca Belcastro |
1964– |
Italian |
|
|
Boris Böhmann |
1964– |
German |
|
also a conductor
|
Richard Rijnvos |
1964– |
Dutch |
Block Beuys |
|
Georgia Spiropoulos |
1965– |
Greek |
Klama, for mixed choir & live electronics |
Avant-garde
|
Mats Wendt |
1965– |
Swedish |
Eddan – The Invincible Sword of the Elf-Smith |
|
Roberto Carnevale |
1966– |
Italian |
Linae (1992–1995) |
|
Juan J. Colomer |
1966– |
Spanish |
La complicidad del espectro |
|
John Psathas |
1966– |
New Zealand |
music for the Olympic – Athens 2004 for full orchestra and choir |
|
Andreas Kunstein |
1967– |
Dutch |
|
|
Salvatore Di Vittorio |
1967– |
Italian |
|
|
Olga Neuwirth |
1968– |
Austrian |
Lost Highway |
avant-garde
|
Roxanna Panufnik |
1968– |
British |
|
daughter of Andrzej Panufnik
|
Pierre Kolp |
1969– |
Belgian |
|
avant-garde
|
Daniel Felsenfeld |
1970– |
American |
Insomnia Redux |
|
Fazil Say |
1970– |
Turkish |
|
|
Michel van der Aa |
1970– |
Dutch |
After Life (opera) |
|
Thomas Adès |
1971– |
British |
Powder Her Face (opera); Asyla; The Tempest (opera); Traced Overhead |
|
Michael Hersch |
1971– |
American |
Symphony No. 1; Fracta; Arraché |
|
Pawel Mykietyn |
1971– |
Polish |
|
|
Hiba Kawas |
1972– |
Lebanese |
|
|
André Ristic |
1972– |
Canadian |
|
|
Lera Auerbach |
1973– |
Russian |
|
|
J. Ryan Garber |
1973– |
American |
Parabolisms; Resonances |
|
Svitlana Azarova |
1976– |
Ukrainian Dutch |
Beyond Context (chamber orchestra) |
|
Jimmy Lopez |
1978– |
Peruvian |
Fiesta! (orchestra) |
|
Mehdi Hosseini |
1979– |
Iranian |
Symphony of Monody; Baluch |
|
William Barton |
1981– |
Australian |
Kalkadungu (jointly composed with Matthew Hudson) |
|
Edward Manukyan |
1981– |
Armenian |
Concerto for Piano and Orchestra |
|
Nico Muhly |
1981– |
American |
Mothertongue |
|
Richard Zarou |
1981– |
American |
"In From the Rain" |
|
Gilad Hochman |
1982– |
Israeli |
"Slightly Disturbed", monodrama for clarinet, violin and cello |
|
Alexander MacDonald |
1987– |
Canadian |
Quatre Esquisses Canadiennes pour clarinette et piano |
|